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All posts by Nick Loeser
Breaking Ground at 38 Plains [PHOTOS]
See where it all started. In 2004, Structural Graphics broke ground at its Essex headquarters.
And no one was more excited than this incredible foursome.
Reaching Out to Higher Education Marketers
Structural Graphics unveils its latest direct mail piece, which combines interesting typography, eye-catching graphics, and a message that will resonate with its audience: higher education marketers. Continue reading Reaching Out to Higher Education Marketers
What You Need to Know About 2013 Folded Self-Mailer Regulations
Beginning January 5, 2014, The United States Postal Service will enforce its revised 2013 self-mailer postal regulations with penalties for non-compliance. Continue reading
Print Shout-Out: WaterFire Providence
Delighted by print promotional pieces at WaterFire Providence. Continue reading
Sappi Paper Presents Print in the Mix
Sappi Paper’s Daniel Dejan presents an evolved approach to marketing. Continue reading
Boost Your Giving Campaign with Direct Mail
Many nonprofits are considering one last push for donations to their annual fund before the year ends – a stand-out mailing piece is one of the most effective ways to get members to take notice.
Here are five tips to enhance your end of the year giving campaign.
1. Compose a message that gets at the core of your organization’s mission.
Look back at program and event attendance figures, review feedback and surveys, pull out the kudos you’ve saved and learn your most successful events and programs. Use this information to gather insight into what people are most enthusiastic about. Craft a message that reminds members about those programs and why they exist.
2. Encourage people to give what they can.
Embrace donations at every level and let individuals know that every level matters. Consider partnering with a charitable organization in your community to match individual donations.
3. Make it personal.
What statement is more impactful: “children throughout the U.S. are suffering from malnutrition and disease every day” or “Sue, your contribution makes the difference between a healthy child and one suffering from malnutrition and disease in the U.S.”
Enough said.
4. Get a good designer.
Nailing down the message is key. So is good design. Create something easy-to-read, dimensional and consistent with your branding.
5. Experiment with different dimensional formats.
A flat standard-size envelope is the common fare in most mailboxes. Break out of the pattern by using different dimensions, textures and formats. Ditch the black and white mailing label for a handwritten font. Play with color. Send goodies.Think outside the envelope.
(image: envision-creative.com)
Where’s the Real Value (in Marketing)?
“There’s a lot more to value than you would ever see in a single focus on price. It has to be very holistic. When you’re talking about direct marketing, same thing holds true.”
– Michael Lowenstein, chief research officer at The Relational Capital Group and principal at Beyond Philosophy in this video.
Marketers are always eager to ride the wave of the next best thing and these days digital is making some big waves. Yet something marketers may not be considering is whether their target audience even likes the beach.
If your customer can’t stand sand in their shoes, it might be time to put the board aside and start delivering a more relevant message.
Earlier this year Direct Marketing News published, “Don’t Forget, Marketing is About the Customer” an article that revealed statistics showing marketers are increasingly poised for digital development, despite the impressive ROI of direct mail.
According to MarketingSherpa’s “2013 Email Marketing Benchmark Report,” (cited in the DMA article) 58 percent of marketers believe the growing presence of mobile and tablets is a prime development that will impact email marketing programs in the next 12 months. Also, 57 percent feel that social should be taken more seriously.
Yes, marketing is a mixed bag.
“I think sometimes in marketing we get caught up in terminology, technology, and specific channels, but our customers don’t think this way,” Daniel Burstein, director of editorial content of MECLABS, states in the article. “What they care about is communicating with each other. And finding the information they need.”
Target Marketing reported direct mail as the top deliverer of new customers (31.3 percent) and customer retention (37.5 percent) in its annual survey of media usage, earlier this year.
Trish Witkowski: Direct Mail Evangelist
Educator, author, speaker and award-winning designer Trish Witkowski has curated one of the most comprehensive collections of folded print and direct mail samples and authored seven books for the graphic arts industry. In the last four years, the Rochester, New York native has introduced a growing legion of fans to the value of print marketing through her popular YouTube series “60 Second Super Cool Fold of the Week.”
Now, the self-proclaimed folding fanatic is poised to break into new territory as a direct mail evangelist, creating inspiring educational resources for marketers who may be missing the boat on the power of mail.
Witkowski recently spoke to Structural Graphics about her experience in the industry and what she plans to do next.
SG: Has art always been a passion for you?
TW: I would say I was always artistic. I was class artist, voted most artistic. Always drawn to anything creative. I started studying fine art [in college] and then I just realized there was never going to be any money in it, so I decided to go to a more marketable career and that’s when I switched over to graphic design.
RIT has a world renowned school of print – one of the best programs in the world at the time – so I decided to get a masters degree there to improve my production skills and printing knowledge. That’s really where the interest in folding came around. I had to come up with a thesis topic and something that I was running into as a designer for RIT’s university publications department [was that] we kept using the same few folds over and over.
So when I was coming up with my thesis idea, I decided I’d try to determine how many different ways you could fold a brochure. I thought it was going to be a quick project and it ended up being a seven-year research project that led to publishing FOLD: The Professional’s Guide to Folding.
SG: How did the YouTube series start?
TW: It came to me as an idea in the middle of the night. I was frustrated with not being able to get my message across and not getting people excited about the content. I had a speaking event years ago at one of the big print shows [and] was expecting 30 to 50 people to show up and three showed. I gave my presentation and left with my tail between my legs. That day I realized I had a choice. I could give up on this whole thing because nobody’s ever going to get it or I can reinvent myself. And that’s what I did.
I had this idea and I decided to give it a funny name, “60 Second Super Cool Fold of the Week“, and have something fun and different every week and that’s how I came up with the slogan on my shirts. You can use the word ‘fold’ in just about anything and it makes sense. It’s been a fun hook to keep people watching.
SG: Do you think today’s marketers are savvy about direct mail?
TW: I would say there are certainly marketers today who are very savvy in mail, however I think there are a lot of people that need to learn more about it. Mail has an image problem. There’s this idea that technology trumps mail and mail is old school. What I hope to push out into the industry is really compelling evidence of how successful people are with mail. You combine highly targeted mail with a really great mailing list, an interesting format, a solid message and a compelling offer and it’s magical. I think people need to get re-acquainted with mail.
SG: What are the most important components to an effective direct mail piece?
TW: The biggest most important thing is audience. It doesn’t matter how creative and beautiful the piece is if it doesn’t fall into the right hands. You have to get your audience right first. Then, once you’ve got the audience, you need to give them a compelling offer, a reason to act. Those are the two most important things. If it’s not to the right person or if the offer isn’t compelling enough none of the other stuff matters.
SG: Do you think direct mail works better for some companies than others?
TW: I don’t. I have a sample of a direct mail piece sent by an email marketing company. Even email marketers are sending mail. I think any business can benefit. I’m not just trying to be all-inclusive and broad. I really believe that because marketing is a relationship. I don’t see mail as the single point of contact. I see it as part of a cross channel marketing type of approach. You might send an email sometimes to compliment your direct mail or do a web ad or other types of marketing too, but mail is a wonderful way to connect and create a relationship with your audience. It’s not as old school as people think. It really can carry different types of technology and drive people to other ways to be in touch with the customer.
SG: Moving forward do you see your role changing?
TW: It’s definitely going to continue down the educational path. It’s pretty neat I’ve been able to craft a career that’s interesting and fun to me. And to be able to share and inspire other people in the industry and ultimately promote print and the value of it.
These days people want information and inspiration so I do a lot of speaking, video and writing – and I’m bridging into online learning. I’ve really gotten interested in direct mail. It’s an incredibly valuable marketing tool. It’s evolved for me from just about format to the whole process of creating effective marketing communications. Although I still am collecting things like crazy and all about formats and techniques. [Now] I’m talking about the process involved as well and getting results. Not just saying, ‘here’s a great idea for a cool format’ it’s more like ‘here are all the things you need to think about and here’s how format plays a role.’ Once people know how to use [direct mail] and what their options are I think they can really get tremendous payback from it.
SG Designer Creates 3D Paper Design for LOUIE Awards
Isabel Uria, designer at Structural Graphics created complex 3D paper design for LOUIE awards gala last week.
Isabel Uria, a designer and paper engineer at Structural Graphics, a 3D marketing design shop, created a complex 3D paper design for the LOUIE awards event, last week.
Uria describes the LOUIE awards as “what the Oscars are for film; the LOUIE awards are for greeting cards. It’s the most prestigious award for my field and for people who make greeting cards for a living.” This year’s show had the theme: “The Artist & the Card”.
The LOUIE awards – now in its 25th year – is an official international greeting card awards competition named for Louis Prang, who created America’s first Christmas card. The event began in 1988 as a way to recognize top paper designs and designers. Ceremonies are held each year in New York.
Uria began working on the piece after months of planning and sketching. She was inspired by both the event’s theme and branding. “The strongest visuals [were] a blue and red frame that looked like an old mailing and the text, [which] was very flowy with lots of beautiful, elegant curves and birds. I started looking at bird patterns and movement, and flying. I wanted to reference a little bit of romantic idealism,” she says. “I am a hopeless romantic about many things, especially stories and fairy tales. This year’s theme made me think of when people used to write to each other. For example, how pigeons were used to deliver messages at times of war. The flying birds became symbolic of messages, and in my piece I freely try to interpret flying birds becoming flying paper airplanes, which are equivalent to flying messages or cards.”
Her piece honored nominees and applicants while entertaining guests as they arrived at the gala. Its incredible size and scale, gave guests the sensation of walking through a tunnel and embedded throughout the design were approximately 200 paper airplanes, each one honoring the names of companies representing the artists who were nominated for an award, as well as those who won.
“There were a lot of people that kept looking for their planes to take a picture. They were entertained by that. It definitely made it special for them.” says Urias.
After months of laboring, her design was on display for one evening and after the event, disassembled to remove. “The piece is no longer in existence. I kept a few pieces but that’s all that’s left,” Uria says. “It was well-documented; it lives on in photography.”
A graduate of the Maryland Institute College of Art (MICA), Uria worked as a freelance graphic designer and paper engineer in Baltimore, when she met design engineers from Structural Graphics at an event in New York in 2011. The meeting led to a job offer nine months later and she officially began at Structural Graphics in May of last year.
“Each project is a thing of its own, [but] a project of this magnitude always spirals, and gives me ideas for other things I could do,” Uria says.